{"product_id":"thomas-prichard-rossiter-winter-in-the-country-dawn","title":"Thomas Prichard Rossiter | Winter in the Country - \"Dawn\"","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis oil on canvas by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThomas Prichard Rossiter\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, titled \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWinter in the Country — “Dawn,”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e circa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1850\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, presents a beautifully detailed winter landscape capturing the quiet stillness of the New England countryside at daybreak. A traditional colonial New England house and mill structure stand within a snow-covered landscape beside a dam and partially frozen body of water. Bare trees frame the composition, while traces of snow cling to the remaining foliage and blanket the surrounding ground. In the distance, a mountain rises softly against the early morning sky, giving the composition a sense of depth and tranquility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eParticularly striking is Rossiter’s treatment of the water and ice. Sections of the frozen surface retain a clear, reflective quality, capturing the surrounding landscape and subtle light of dawn, while the dam and mill introduce elements of nineteenth-century rural life into the otherwise peaceful natural setting. The combination of snow-covered architecture, bare trees, distant mountains, reflective water, and winter atmosphere creates an evocative image of rural New England in the mid-nineteenth century. Measuring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e25 x 30 inches\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the painting is an unusually appealing landscape by an artist best known for portraiture and ambitious historical subjects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eMonogrammed “TR” by the artist in the lower right corner.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFully signed by Thomas Prichard Rossiter on the verso.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOil on canvas.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSize: 25 x 30 inches.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCirca 1850.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThomas Prichard Rossiter (1818–1871)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was an important nineteenth-century American painter known principally for portraiture, historical subjects, and religious compositions. Born in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNew Haven, Connecticut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Rossiter studied with portrait painter \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNathaniel Jocelyn\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e before establishing his own career. He began exhibiting at the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNational Academy of Design\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in the late 1830s and in 1840 traveled to Europe in the company of several artists who would become major figures in American landscape painting, including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAsher B. Durand, John Frederick Kensett, and John William Casilear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. While abroad, Rossiter also traveled with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThomas Cole\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, founder of the Hudson River School, and spent several years in Italy studying the Old Masters and developing his abilities as a painter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAfter returning to New York in 1846, Rossiter shared a studio with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJohn Frederick Kensett and Louis Lang\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. He was elected a full \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNational Academician in 1849\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, establishing his position within one of the most important artistic institutions in nineteenth-century America. Rossiter later became particularly celebrated for ambitious paintings drawn from American history. Among his best-known works is \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWashington and Lafayette at Mount Vernon, 1784\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, painted in collaboration with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLouis Rémy Mignot\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and now in the collection of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetropolitan Museum of Art\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. His paintings were exhibited at major institutions during his lifetime, including the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNational Academy of Design\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePennsylvania Academy of the Fine Arts\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and he received international recognition for works exhibited in Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRossiter eventually settled in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCold Spring, New York\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, overlooking the Hudson River, where he continued painting until his death in 1871. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWinter in the Country — “Dawn,”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e with its New England architecture, mill, frozen water, snow-covered landscape, and distant mountain, reveals a less frequently encountered aspect of Rossiter’s career. Painted circa 1850 and bearing both the artist’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“TR” monogram on the front and his full signature on the verso\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the work offers a particularly appealing connection between Rossiter and the American landscape tradition practiced by many of his closest artistic contemporaries.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gallery 44","offers":[{"title":"Default Title","offer_id":52451942564138,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0945\/4875\/4730\/files\/6.jpg?v=1788290356","url":"https:\/\/gallery44llc.com\/products\/thomas-prichard-rossiter-winter-in-the-country-dawn","provider":"GALLERY 44","version":"1.0","type":"link"}